Monday, May 13, 2013

Knowing When To Stop

A cold gray day, and a six-hour afternoon session. Separating larger masses- the stone columns, wooded slope- into individual outcroppings, ledges, trees. Looking to make each the best I can, while keeping its values and impact in line with the whole.  Leaning back, viewing the drawing at distance makes needed adjustments apparent: Too-darks that need lightening, and vice versa. As always, half the trick's knowing when to stop.

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