Session 4. More detailwork. Areas of greatest contrast become focal points. The composition will continue to evolve, but at this stage, my eye's drawn here:
The shadow's fall may change again. I like the underside of this element, the layered charcoal darks deepening this recess, but at this magnification it's apparent the top isn't quite there yet. Maybe that's why the shadow's edge seems off. Those edges are always a focal point as well, an opportunity to lead the eye. I'll start here next time.
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