Rain Tern Waterworks, Year Unknown
Charcoal, Graphite; 3 7/8" x 5 1/8"
Here's the finished drawing. The jpeg above is posted at about the drawing's actual size; click on the image to see an enlargement.
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- Mark Reep
- I'm an artist and writer. My work has appeared in American Art Collector, Endicott Journal, Bluecanvas, Word Riot, Metazen, Fictionaut Selects, and many other publications. Original drawings, prints, artcards, more at the links below. Thanks for looking.
PUBLICATIONS
- COLORBLIND at Blue Five Notebook
- NOROKI, ALTOONA at Right Hand Pointing
- DELIVERANCE at Fat City Review
- HIPSTAMATIC at Otoliths
- MONSERRAT BLUES at Revolution John
- YOU COULD SEE THE LIGHT FROM FARTHER THEN at A-Minor Magazine
- BLACK HOUSE, SAFE WORD, FROM THE LUCID DREAMER'S HANDBOOK at Horror Sleaze Trash
- HURT at The Blue Hour
- NEW YEAR'S DAY at Otoliths
- INCREMENTS OF REGRET at litbomb
- DELIVERANCE at Fat City Review
- MARK REEP: DRAWINGS & OTHER STORIES in Bluecanvas
- BRON-YR-AUR at Metazen
- SMALL TRUTHS at Scissors and Spackle
- LOST TIME: SIX DRAWINGS at Right Hand Pointing
- LIAR at Camroc Press Review
- LAST CHANCE at Right Hand Pointing
- ONLY DREAMS at Horror Sleaze Trash
- CAITLIN'S BOOTS at Word Riot
- COLLEGETOWN at Short, Fast, and Deadly
- GOODBYE and AT SEA at Matchbook Poetry Journal
- REAL EYES/IVORY (Collaboration with Susan Tepper) in Big City Lit
- LOST in Our Day's Encounter
- OPENING ACT in Orion headless
- HOW TO PROFIT AS COPPER BECOMES THE NEW GOLD in cur.ren.cy
- REMEMBERING LIZ GERARD at West End Talk
- POINT OF GRACE: DRAWING & FICTION in A-Minor
- THAT'LL BE TWO BITS in Right Hand Pointing
- A WOMAN WALKS INTO A BAR in Camel Saloon
- BERTHIER DOOR in Used Furniture Review
- AFTER BUKOWSKI in Metazen
- HOUSE BY THE SEA in Word Riot
- I AM NOT HERE in Blue Fifth Review
- OPERATING COSTS in Criminal Class Review
- CEREMONY in Moon MIlk Review 2011 Anthology
- GET ME GONE at Trainwrite
- IF I COULD FIND THE WAY AGAIN: DRAWING & FICTION at Amaranthine Muses
- BAD ATTITUDE at The Camel Saloon
- SMALL AWAKENINGS at Shot Glass Journal
- SO FEW DREAMS at Orion headless
- BETTER DAYS at Ink Sweat & Tears
- NO ADJECTIVES at Black-Listed Magazine
- KILZ at amphibi.us
- FREAKUCCINO at The Camel Saloon
- STRING MONEY at A-Minor Magazine
- CHECK ENGINE at Word Riot
- DOCTOR EYEPATCH at Postcard Shorts
- LOVE AND NEED: DRAWINGS at Eckleburg Review Gallery
- LAST BELL: DRAWING & FICTION at Full of Crow
- SILENCE BE MY CHURCH: Guest Artist at Prick of the Spindle
- CREATING A MISTY MOONRISE: DRAWING TUTORIAL at Artgraphica
- THE CROPDUSTER'S DREAM at Blink/Ink
- THIRD SHIFT at amphibi.us
- ALL THAT REMAINS: Featured Artist Gallery at Blink/Ink
- LOST ROADS at Ink Sweat & Tears
- BLUE PINTO at Word Riot
- LOCH TRAIGNARRY LIGHT: DRAWING & FICTION at Ink Sweat & Tears
- THE UMBRELLA OF THE FUTURE at Ink Sweat & Tears
- ALDER RUN at Ink Sweat & Tears
- LOST DREAM: DRAWING & FICTION at Gloom Cupboard
- SATURDAY MORNING at Gloom Cupboard
Blog Archive
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- November (5)
- October (3)
- September (4)
- August (2)
- June (2)
- May (5)
- April (8)
- March (9)
- February (1)
- January (5)
- December (7)
- November (8)
- October (1)
- September (4)
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- July (3)
- June (6)
- May (6)
- February (3)
- January (3)
- December (3)
- November (2)
- October (5)
- September (9)
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Images and text © Mark Reep
10 comments:
I keep wondering how they'll get across the chasm?
LOL
Wow! I like every version. Each one stands nicely on its own. I don't know if I'm brave enough to scan a drawing from the original idea to the finish. There's so much mess and mistakes to see on the way completion.
This is quite a mysterious world you're creating. It's a great place to go exploring in.
Now it's back to painting an airplane dive-bombing some 17th Century people on horseback while Austrian cavalrymen watch. I've got some long days ahead of me.
Wow, this stuff is amazing. I have a deep love of charcoal (I gravitate toward black & white & grey anyway), and your sense of realism is unbelievable!
I can't remember the name off the top of my head, but this reminds me slightly of one of the artists who did illustrations for Dante's Divine Comedy.
Hey Sam, thanks for stopping back- Hope you brought your waders :) You know, some rides, you're just gonna get wet :)
Thanks, Tom. I'm getting a little better about scanning between sessions. Though there're a lot of them that'll never see the light of day again :)
Doug, thanks- Charcoal's been my primary medium for a couple years now, and I feel as though I'm still just beginning to learn what I can do with it. But then, hopefully, I'll always feel that way.
Beau-ti-ful.
I want to walk there, on the verge.
I answered you on my page btw.
I've found and read a city you may like ... Check the pic!
http://www.phenixweb.net/IMG/jpg/BISHOP.jpg
All the best and thanks for your kind, translated :), words!
Syl
You would be good to discribe this city too
http://www.images.hachette-livre.fr/media/imgArticle/CALMANNLEVY/2006/9782702137093-G.jpg
wow
*lost for words, all humbled*
love the single tree.
i notice that its a uniform characteristic in most of your drawings?
There's something universal, I think, about the appeal and impact of solitary trees. And of course, they're so much fun to draw :)
Really superb this piece !! Fab stuff !!
This is very, very good.
Makes me think of Escher, for some reason, without his hard edge. I particularly liked the tree.
Andrew, Bernita- Thanks!
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